A Year of Books

This is the part of the blog where Ethan comes out and makes comments about all of the books he read last year. If you are feeling very nerdy, bored, or masochistic you may want to read all of his comments. If you want to skip that crap and get to the point you may go to the end where Ethan will list his "must-reads" and "must-avoids."


1. The Picture of Dorian Gray, by Oscar Wilde
2. Salome, by Oscar Wilde
3. The Importance of Being Earnest, by Oscar Wilde
4. De Profundis, by Oscar Wilde

Being a Wilde-lover, I can hardly be expected to make objective unbiased comments on his works. However, it is my opinion that every literary person should read these four. Picture, of course, is a classic; and a better and more tragic rendering of original sin I have never encountered.
De Profundis was written while Wilde was in prison, and we see a much humbler and in many ways much more profound Wilde than previously. He says some of the most beautiful, profound things about Christ I have seen in a while.
Importance is, of course, the classic of stage wit; Salome contains some wonderful prose poetry (also a play, I don't know how speakable it is, but it's a great read).

5. Poems, Poems in Prose, and a Fairy Tale, by Oscar Wilde
6. Anecdotes and Sayings of Oscar Wilde, by Oscar Wilde et al.
7. The Critic as Artist, by Oscar Wilde
Also brilliant stuff, of course, though less essential. Critic is esoteric almost, though not quite, to the point of unintelligebility. I loved it.


8. The Satanic Verses, by Salman Rushdie
Massive, surreal, brilliant novel from one of the world's best living authors.

9. The Disreputable History of Frankie Landau-Banks, by E. Lockhart
The type of book I read for a somewhat guilty pleasure, about rich kids at a private school. Suprprisingly intelligent for its genre.

10. This Side of Paradise, by F. Scott Fitzgerald
The second out of a projected many times I read this. The novel that proved to me that college students haven't changed in 90 years.

11. The Roots of African-American Drama
For American lit class. It covered the early period, back before African-American writing was filled with self-important pretentious whining.

12. The Adventures of Hucklberry Finn, by Mark Twain
Also for class. Approximately the seventy-nine millionth reading for me. Still wonderful.

13. Reading Like a Writer, by Francine Prose [Reading for Class]
Was only assigned the first few chapters; I've been meaning to go back and read the rest. Very interesting book which shows one how to do exactly what the title implies.

14. The Writer's Book of Days, by Judy Reeves
15. Creating The Accomplished Image [Partly read, for class]
16. The People's Bible Commentary: Romans
17. Wheelock's Latin
18. God's No and God's Yes, by CFW Walther [half-read, for
class]
More books for various classes. All hold some merit in their specific field; nothing incredibly remarkable.


19. The Urth of the New Sun, by Gene Wolfe
The one-volume sequel to the four-volume Book of the New Sun, it's utterly brilliant, though you have to read the first four books first.

20. The Wolves of Willoughby Chase, by Joan Aiken
I heard this described somewhere as "whimsical without being sentimental." Somewhat along the lines of "A Series of Unfortunate Events," but better.

21. The Abolition of Man, by C.S. Lewis
One of those books where Lewis takes 100 pages and changes your entire life.

22. Manalive, by G.K. Chesterton
See 21, with Chesterton's name instead of Lewis's. Brilliant little novel.

23. A Clockwork Orange, by Anthony Burgess
Lost some of its punch for having seen most of this done in novels like 1984. Some brilliant passages, and Burgess is a very good and interesting writer.

24. Magic For Beginners, by Kelly Link
One of my favorite collections of short stories ever. Magic realism with a vengeance. The title story alone is worth the price of admission.

25. The Charwoman's Shadow, by Lord Dunsany
Replaced "The King of Elfland's Daughter" as my favorite Dunsany. If you like lyrical prose and faerie-tale-esque fantasy, read this book. (If you can find it.)

26. One More For The Road, by Ray Bradbury
A not particularly impressive collection of Bradbury shorts, though it has a few gems of brilliance.

27. Sailing to Byzantium, by Robert Silverberg
Another old favorite. Silverberg is at his best writing novellas, and these five are some of his best novellas.

28. The Halfling and Other Stories, by Leigh Brackett
An interesting, often superbly done, collection of short stories by the writer of "The Empire Strikes Back."

29. Our Town, by Thornton Wilder
I rather liked this play, against all expectation.

30. Figures of Earth, by James Branch Cabell
Wonderful satire of Arthurian type heroism, by another master of prose.

31. The Man Who Came to Dinner, by Moss Hart and George S. Kaufman
32. The Death of a Salesman, by Arthur Miller
Of these two plays, the first one is rather funny and I was proud of myself for catching most of the 30s cultural references, and the second one, while powerful, was rather a failure.

33. The Lies of Locke Lamora, by Scott Lynch
Somewhat like a cross between "Ocean's 11" and a standard urban adventure fantasy, but freshly written and with good characters and story. A literary Big Mac with fries.

34. Coffee at Luke's, edited by Jennifer Cruisie
People writing intellectually about the series "Gilmore Girls," which, yes, I watch. The writing on that show is brilliant. Shut up.

35. Nine Stories, by J.D. Salinger
I hated it for the first half, then fell more and more in love through the second. When I reread it I expect to love the whole thing.

36. The Crucible, by Arthur Miller
Better than Salesman.

37. The Fabulous Tom Mix, by Olive Stokes Mix [half-read, research purposes]
An excellent book for information on the very beginning of the silent film era, and one of the first ever movie stars.

38. Nightside the Long Sun, by Gene Wolfe
50. Lake of the Long Sun, by Gene Wolfe
51. Calde of the Long Sun, by Gene Wolfe
52. Exodus From the Long Sun, by Gene Wolfe
The Book of the Long Sun is not quite as satisfying as New Sun books, but being Gene Wolfe is still fairly brilliant.

39. Who is Mark Twain? by Mark Twain
A new collection of unfinished and unpublished Twain. There's some pretty funny stuff here.

40. The Graveyard Book, by Neil Gaiman
Fairly typical Gaiman, but there are a lot of cool and subtle things to it that one might miss if one was not careful. It grows on one after one has read it, too.

41. Raise High The Roof Beams, Carpenters and Seymour, An Introduction, by J.D. Salinger
Brilliant. Became my favorite Salinger until I read "Franny and Zooey."

42. Dutchman, Amiri Baraka
That whiny pretentious boring African-American drama I was talking about? A pretty good example of such.


43. Blue Like Jazz, by Donald Miller
A wonderful collection of essays on Christianity in the postmodern world. Miller isn't Lutheran, but he has some excellent thoughts.

44. Smoke, by Ivan Turgenev
45. Fathers and Sons, by Ivan Turgenev
46. First Love, by Ivan Turgenev
If anything, I liked "Smoke" much more than "Fathers and Sons," though the latter is a much more famous novel. Didn't really like Turgenev in general, though.

47. The Name Above the Title, by Frank Capra
Capra, who made (often wrote or co-wrote and directed) films like "Mr. Smith Goes to Washington," "Lost Horizon," and "It's a Wonderful Life," writes a brilliant biography. It's worth reading for anyone interested in movies or writing, or just looking for a big, entertaining book.

48. The Story of Film, by Mark Cousins
For nerds only, but for nerds it's heaven. All of the film history you'll need in one place.

49. A Sentimental Journey, by Laurence Sterne
Not as utterly brilliant as Tristram Shandy, but worth reading--and at 150 pages, about 1/8th of the length of TS.

53. Heroes of the Valley, by Jonathan Stroud
54. The Last Siege, by Jonathan Stroud
The first book is invented-world fantasy, the second a real-world story about British school kids with no particular fantasy element (though set in an old castle). Both were well-written and solid stories; I was impressed with Stroud by the time I was done.

55. To Say Nothing of the Dog, by Connie Willis
Wonderfully funny time-travel novel. The action takes place largely in the Victorian era. If those two categories sound at all attractive, it is recommended.

56. Lost in the Cosmos: The Last Self-Help Book, by Walker Percy
A book about why, when we know so much about things like atoms and what stars are made of and everything else there is to know, humans know so very little about ourselves.

57. Grace Upon Grace: Spirituality for Today, by John Kleinig [Partly read; book klub]
A decently readable book of Lutheran theology for the layman.

58. Storeys from the Old Hotel, by Gene Wolfe
59. The Wolfe Archipelago, by Gene Wolfe
I don't think Wolfe is as comfortable in the short form as he is writing multi-volume novels, but there is good stuff here, especially in the Archipelago.

60. Calculating God, by Robert J. Sawyer
What happens when an atheist sci-fi writer attempts to posit God. Besides a couple of utterly ridiculously drawn Southern Baptist wacko characters, Sawyer makes an even-handed attempt, but he ultimately fails at writing either good theoretical theology or an entertaining novel.

61. Rude Mechanicals, by Kage Baker
62. Black Projects, White Knights, by Kage Baker
63. Gods and Pawns, by Kage Baker
64. Dark Mondays, by Kage Baker
Of these three story collections, the first two are worth reading if you've read the rest of Bakers Company novels; the final one is non-Company, and has some pretty good stuff.

65. Questions of Truth, by John Polkinghorne and Nicholas Beale
Two Anglican scientists argue that the theory of evolution is in no way incompatible with religion. After reading, I am inclined to agree on this broad point, even if I disagree on a lot of their sub-points.

66. Lake Wobegon Summer 1956, by Garrison Keillor
Good, fun book, if dirty in places.

67. Carry On Jeeves, by PG Wodehouse
It's Jeeves. What more can I say?

68. Either You're In Or You're In The Way, by Noah and Logan Miller
Utterly cool non-fiction book about two brothers who started with literally no money and no experience, and made an award-winning movie.

69. A City in Winter, by Mark Helprin
70. The Veil of Snows, by Mark Helprin
71. Swan Lake, by Mark Helprin
This trilogy of dreamlike fantasy has unexpected teeth. Its elegance provides a welcome break from the hectic nature of real life.

72. Believer Beware, edited by Jeff Sharlet et. al.
A collection of essays "from the edge of religion." Worth reading for anyone interested in the postmodern religious scene.

73. The Merchant of Venice, by Shakespeare
75. Richard III, by Shakespeare
76. Othello, by Shakespeare
80. The Tempest, by Shakespeare
82. King Lear, by Shakespeare
84. Sonnets, by William Shakespeare
90. The Taming of the Shrew, by Shakespeare
95. Much Ado About Nothing, by Shakespeare
The stuff we read for Shakespeare class. For wonderful examples of how to run a play and how to write in English and insights into human nature, I recommend any of them. For good entertainment, I reccomend Merchant, RIII, Tempest, Lear, Sonnets, Taming, and the scenes in Much Ado with Benedick and Beatrice.


74. Pilgrim's Progress, by John Bunyan
Being forced to read the whole thing for class, I discovered that after the first 50 pages (as far as I'd gotten on previous attempts) it gets much better.

77. Robinson Crusoe, by Daniel Defoe
Eh.

78. The Laramie Project, by Moises Kaufman et al
79. Oedipus Rex, by Sophocles
81. Proof, by David Auburn
83. Waiting for Godot, by Samuel Beckett
The four plays we read for Playwriting class, except Oedipus was for Lit Crit. Godot was amazing, if you like surrealism. Laramie Project, about the brutal murder of a gay man in Wyoming, I found interesting stylistically and very moving emotionally.

85. The Broadview Anthology of British Literature, the Restoration through 1800
Eh.

86. Winter's Tales, by Isak Dinesen
Dinesen, the author of the short story "Babbette's Feast," is wonderful. That's all I will be able to say without going on for pages.

87. Franny and Zooey, by JD Salinger
This became my favorite Salinger. Everything else he wrote is now officially better than "Catcher in the Rye."

88. The Controversy Between the Puritans and the Stage, by Elbert Thompson
Very interesting book, read for research-paper purposes.

89. Lost Worlds, by Clark Ashton Smith
A 30s pulp writer along the lines of RE Howard (Conan), Smith's quality wildly varies. He's worth reading just for the bizzare stuff he comes up with.

91. The Norton Anthology of Literary Criticism, various authors
Oh my head hurts.

92. The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and Annie Barrows
A fictional correspondence between a London author and inhabitants of the only English territory occupied during World War II, taking place just after the war, the characters are so honest, charming, and witty that it made me want to be there or at least be English.

93. Peace, by Gene Wolfe
Again, it's Wolfe, and again his utter brilliance shines through. Many people think this is his best novel.

94. Great Joy, by Kate DiCamillo
Okay, so it's a picture book. But the illustrations are beautiful and because it's DiCamillo writing the text said text is touching and beautiful in its own right.

96. Waverely, by Sir Walter Scott
Ugh. Scott stretches two hundred pages' worth of story, prose skill, and cleverness over about six hundred pages.

97. Reading the OED, by Ammon Shea
Awesome book about a guy who read the entire Oxford English Dictionary over the course of a year. He pulls out the best forgotten words. "Onmotomania" is my favorite.

98. Leviathan, by Scott Westerfeld
Fun YA alternate history steampunk.

99. To Your Scattered Bodies Go, by Philip Jose Farmer
100. The Fabulous Riverboat, by Philip Jose Farmer
The first half of the SF classic Riverworld series. Good fun, especially if you like history.

101. How I Live Now, by Meg Rosoff
Sort of post-apocalyptic YA novel. I liked it.

102. Nova Swing, by M. John Harrison
The follow-up to Harrison's "Light," which I read last year, could have been shorter but its surreal glory is not lessened for that.

103. Anecdotes of Destiny, by Isak Dinesen
This collection contains "Babette's Feast," and while none of the other stories match it, they are all very good as well.

104. The Screwtape Letters, by CS Lewis
See "Abolition of Man."

105. The Owl Service, by Alan Garner
Interesting forgotten YA fantasy. The writing style is nearly perfect, very subtle, and the Celtic roots are used brilliantly.

106. Wizardry and Wild Romance, by Michael Moorcock
Probably the hundred and sixth or so time I've read this one. Moorcock still continues to anger and intrigue me in equal amounts.

So. Now for categories.

Books Everyone Should Read to be Human:
The Picture of Dorian Gray, by Oscar Wilde
Salome, by Oscar Wilde
The Importance of Being Earnest, by Oscar Wilde
De Profundis, by Oscar Wilde
The Urth of the New Sun, by Gene Wolfe (After reading the first 4 New Sun books)
The Abolition of Man, by C.S. Lewis
Manalive, by G.K. Chesterton
The Charwoman's Shadow, by Lord Dunsany
Lost in the Cosmos: The Last Self-Help Book, by Walker Percy
Anecdotes of Destiny, by Isak Dinesen (even if it's only "Babette's Feast.")
The Screwtape Letters, by CS Lewis

Books Everyone should Read Who Wants to be Literate:
The Critic as Artist, by Oscar Wilde
The Satanic Verses, by Salman Rushdie
This Side of Paradise, by F. Scott Fitzgerald
The Adventures of Hucklberry Finn, by Mark Twain
Magic For Beginners, by Kelly Link
Nine Stories, by J.D. Salinger
Raise High The Roof Beams, Carpenters and Seymour, An Introduction, by J.D. Salinger
Pilgrim's Progress, by John Bunyan
All the Shakespeare, of course
Robinson Crusoe, by Daniel Defoe
Waiting for Godot, by Samuel Beckett
Oedipus Rex, by Sophocles
Franny and Zooey, by JD Salinger
Peace, by Gene Wolfe
Wizardry and Wild Romance, by Michael Moorcock

Books Not Part of the Previous Two Categories but Still Worth Reading:
Sailing to Byzantium, by Robert Silverberg
The Halfling and Other Stories, by Leigh Brackett
Our Town, by Thornton Wilder
Figures of Earth, by James Branch Cabell
The Man Who Came to Dinner, by Moss Hart and George S. Kaufman
Nightside the Long Sun, by Gene Wolfe
Lake of the Long Sun, by Gene Wolfe
Calde of the Long Sun, by Gene Wolfe
Exodus From the Long Sun, by Gene Wolfe
The Graveyard Book, by Neil Gaiman
The Name Above the Title, by Frank Capra
A Sentimental Journey, by Laurence Sterne
To Say Nothing of the Dog, by Connie Willis
A City in Winter, by Mark Helprin
The Veil of Snows, by Mark Helprin
Swan Lake, by Mark Helprin
The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and Annie Barrows
To Your Scattered Bodies Go, by Philip Jose Farmer
The Fabulous Riverboat, by Philip Jose Farmer
The Owl Service, by Alan Garner

Books to Avoid:
Dutchman, Amiri Baraka
Calculating God, by Robert J. Sawyer


And yet... I feel like I've barely put a dent in my "To Be Read" list.

Book list 2010

I read 101 full books last year, thereby fulfilling the challenge upon which I embarked. I won't be trying it again this year, because while it was fun, I found it nudged me toward a proclivity to reading short books, in order to make sure I could have higher numbers. So this year I'm just going to keep track of the books I read without a specific goal in mind. This is especially helpful because most of the books that are getting to the top of my miles-long "to be read" list are long-ish.

Books Read, 2010
1. Public Enemies, by Bryan Burrough [Half-read on break, will hopefully finish later]
2. I, Robot, by Isaac Asimov
3. Personal Recollections of Joan of Arc, by Mark Twain
4. A Tale of Two Cities, by Charles Dickens
5. Gorgias, by Plato
6. Phaedrus, by Plato
7. Oedipus Rex, by Sophocles
8. Bartimaeus: The Amulet of Samarkand, by Jonathan Stroud
9. The Beautiful and Damned, by F. Scott Fitzgerald
10. Bhagavad-Gita, translated by Prabhavananda and Isherwood
11. MacBeth, by Shakespeare
12. Jane Eyre, by Charlotte Bronte
13. The Good Woman of Setzuan, by Bertolt Brecht
14. Fences, by August Wilson
15. The Atlantis Enigma, by Herbie Brennan
16. Joan of Arc: In her Own Words, edited by Willard Trask
17. Son of the Mob, by Gordon Korman
18. The Judging Eye, by R. Scott Bakker
19. The Knight, by Gene Wolfe
20. Alan Mendelssohn, the Boy From Mars, by Daniel Pinkwater
21. Slaves of Spiegel, by Daniel Pinkwater
22. Tender is the Night, by F. Scott Fitzgerald
23. Red Seas Under Red Skies, by Scott Lynch
24. How to be Alone: Essays, by Jonathan Franzen
25. Titus Groan, by Mervyn Peake
26. Gormenghast, by Mervyn Peake
27. Titus Alone, by Mervyn Peake
28. First Encounters: A Book of Memorable Meetings, by Edward Sorel and Nancy Caldwell Sorel
29. Love That Dog, by Sharon Creech
30. Emmy and the Incredible Shrinking Rat, by Lynne Jonell
31. Victory, by Susan Cooper
32. The End of the Beginning, by Avi
33. A Beginning, a Muddle and an End, by Avi
34. The Tiger Rising, by Kate DiCamillo
35. Because of Winn-Dixie, by Kate DiCamillo
36. Me and Orson Welles, by Robert Kaplow
37. Sandman: Preludes and Nocturnes, by Neil Gaiman
38. Sandman: The Doll's House, by Neil Gaiman
39. Sandman: Dream Country, by Neil Gaiman
40. Sandman: Season of Mists, by Neil Gaiman
41. Sandman: A Game of You, by Neil Gaiman
42. Sandman: Fables and Reflections, by Neil Gaiman
43. Sandman: Brief Lives, by Neil Gaiman
44. Sandman: World's End, by Neil Gaiman
45. Sandman: The Kindly Ones, by Neil Gaiman
46. Sandman: The Wake, by Neil Gaiman
47. Sandman: The Dream Hunters, by Neil Gaiman
48. Sandman: Endless Nights, by Neil Gaiman
49. The Girl Who Loved Animals and Other Stories, by Bruce McAllister
50. Theater/Theory/Theater, ed. Robert Gerould
51. Ironheart, by Victoria Tecken
52. Miss Julie, by August Strindberg
53. Two Rooms, by Lee Blessing
54. Noir: A Collection of Crime Comics, Various Authors
55. The Magician's Elephant, by Kate DiCamillo
56. The Mysterious Benedict Society, by Trenton Lee Stewart
57. Broadway Bound, by Neil Simon
58. Dramatic Theory and Criticism, ed. Bernard F. Dukore
59. Holding Onto Reality: The Nature of Information at the Turn of the Millenium, by Albert Borgman
60. How to Conduct Organizational Surveys, by Jack Edwards et al.
61. Selections from "Against Verres," by Cicero
62. Following the Equator, Vol. 1, by Mark Twain
63. Showdown, by Ted Dekker
64. Panzer Commander, by Hans von Luck
65. Campaigns of Curiosity, by Elizabeth L. Banks
66. Post-Scarcity Anarchism, by Murray Bookchin
67. The Mabinogion, by Anonymous Welsh Poet(s), translated by Gwyn Jones and Thomas Jones
68. Ink on Their Fingers, by Victoria Kasten and Benjamin Tecken

Year-Ending Blurp

I have at least three topics on which to blog, potentially, though I find myself periodically forgetting either what they were or what in particular I had to say about them. I will likely either not mention them again or do several posts in one day to make up for months of silence.

The Owl Service became the 100th full book I read this year. After New Year's I will post a full review of my book list, for all the people who will be soooo interested (read: no one). In the meantime, I have mapped a play that I'm not sure I like, and have read an average of about 3/4s of a book per day since semester ended. Three cheers for vacation.

Party in the USA

The young man walked into his wing’s bathroom, toothbrush inserted into his mouth, scrubbing vigorously. The radio on the sink counter—a dilapidated thing older than many of the inhabitants of this wing of the dorm—was blaring the vehement inanity that was the pop station. Four songs a day, repeated ad nauseam. Currently playing for the umpteen millionth time was Miley Cyrus and her “Party in the U.S.A.” It was a song the indignity of which the young man had been bearing repeatedly for well over three months now; it was a song he had taken an immediate dislike to, for its synthetic trickery, its obvious lack of authenticity, its complete disregard of good taste and of musical complexity and tradition.

But, standing above the sink scrubbing his teeth and too lazy to expend the effort needed to reach out and turn the dial to a bearable station, the young man found himself for the first time ever listening to the lyrics. And, despite himself, he found that he was sympathetic. Maybe it really was just a song about a girl coming to a new place, lost and lonely and scared, for whom the musical tradition of her childhood provided a link to her past and her tradition…

The young man stopped and stared at himself in the mirror, frozen mid scrub. His eyes widened and he looked at himself as though he were an alien, a sub human, someone who had escaped from the circus. Miley Cyrus? A lost little girl? Jay-Z and Britney Spears her musical forebears, a legitimate part of her tradition? What was pop music doing to him?

He spat in disgust into the sink, rinsed his mouth, rinsed his toothbrush and stomped out of the bathroom with a thunder cloud above his head. A few minutes later he returned bearing a small screw driver. He turned the dial on the clock radio to another station, then bent down and did some close work with the screw driver. The plate on the side of the radio came off, and a few sparks leapt from the old man’s interior. The young man walked away, a smile on his face, followed by his own personal ray of sunlight.

The radio, meanwhile, was wafting classical music. Its dial appeared to have been removed, so that never again could it be changed to Pop Nausea. The young man slept well that night.

Another Thought, Or, What I Do Instead of Paying Attention in Class

I find solicitude in lonely places:
Cathedrals, graveyards, night time fog that traces
Edgewise spreading through the streets
Layering our old retreats with one-night
Dripping oyster-stands, yellow clatt'ring
Grace which never seeks my face
Nor seek I it; yet somehow morning's
Golden rays break the gloom of afternoon
Rising from the grave, our resurrection soon--
Too soon, maybe: running, crying, terrifying
The sea, the land, the Man o' the Moon.
And maybe with the roaring surf,
The caged lions torn from earth,
Maybe with the lion's roar, and the sand
Of lost sea tides, maybe from the roaring skies,
All our running, all our lies
Will create a stunning specious
Tapestry, flowing trickling quality
Of lions, monsters, pounding surf
And finally the great red turf
Springs fertile with shiv'ring towers
Made of crystal flaring panes
Of bloodlines pumping crystal
Through our stagnant veins.
Retreating steps on sunny streets
No longer our muttering retreats;
So forward, courage, raise your head
In your death be raised from dead
Retreat merely into war
Dive into the surf, the lion's mouth,
Usurp him, take him o'er, become the roar.
And My solicitude will stay as
The sun breaks bright on a bleeding aged day.

A Question on a Sleepless Night

"In a murderous time
the heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn."

These lines are some of my favorites from one of my favorite poems, "The Testing-Tree" by Stanley Kunitz.

My question is this: when you've gone through dark and deeper dark, and have not turned, and have got to the end and it's still dark and you're at a dead end--what do you do? Get a shovel and start digging?

Does this question even make sense?

A Thought

O you stars, resonate with
Cold, sparkling scarlet light
Reflect my thoughts on this starlit
Moonless tragic night; wish
On me that I might crush
Life from the heavens,
Love from the dust;
There is, in the dew-spangled scarlet
Wilting lilting rose-petal, beauty--
And in the simpering rose's dew-
Drops are stars again, warm,
Resonating with the strength of earth,
The love of turf, the beauty
Of family. Why then turn we
Our thoughts on high? Where
In the cold nameless heavens--
Silver-sparkled blaring blinking staring
Dripping dewdrops drafted of ice--
Thrice thrown burning home, where
Find we benediction? When in the night
The stars come raining down
Burning holes through holy ground
Suddenly they're warm, and the
Rose-petal dew-drops flare into ice
As all we held sacred
Shows itself false, stares at us
With shadowed eyes and the
Backdrop falls away revealing
All we thought were lies.
And I cry dewdrops from my
Shadowed eyes.

Grace in Movies

I'm trying to compile a list of movies that are very grace-filled, or have grace as a central theme--grace used here in at least close to a Christian understanding of the word. So far I've got:

Babette's Feast
Lars and the Real Girl
O Brother, Where Art Thou?
Once
Gran Torino
In Bruges
Stranger Than Fiction
Children of Men
Miss Pettigrew Lives for a Day
Tender Mercies*
The Brothers Bloom
Groundhog Day
Saving Private Ryan
Amelie*
The Sixth Sense*
Dead Man Walking*
Chocolat*
The Enchanted Cottage
Les Miserables
Forrest Gump
Signs
Brideshead Revisited*
The Lives of Others*
The Man Who Would Be King*
The Pianist*
Man on Fire*
It's a Wonderful Life
Miracle on 34th Street
Scrooge (the Alistair Sim version is best)
A Christmas Story
Casablanca
Phantom of the Opera
The Hunchback of Notre Dame (1923 and 1939 versions especially)
Sense and Sensibility*
Emma*
To Kill a Mockingbird

*=Ethan hasn't seen.

Also, I can't guarantee that these are family viewing. If you ask me I will be happy to comment on the appropriateness of any particular entry.

Any suggestions?

(EDIT: I will be adding to the list as people suggest things. Keep suggesting.)

Skewl Wurk

I just want to say that for homework this semester I do things like:

1. Write plays.

2. Read Shakespeare.

3. Read other Elizabethan and Enlightenment era works--Defoe, Scott, Swift, Jonson, etc.

4. Read literary criticism, which is just as good as philosophy (and sometimes, as in my reading for Wednesday, IS philosophy--Plato's Republic).

and

5. Read about the English language and its development.

yay

Quote of the Week

Which, yes, is my cop-out for not actually posting.

Jessica. I am never merry when I hear sweet music.

Lorenzo. The reason is, your spirits are attentive:
For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since nought so stockish, hard and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.

-Shakespeare, "The Merchant of Venice," Act V, Scene 1.

A Random Thought

Many years ago, when I was in grade school, I was watching The Swiss Family Robinson with a family of half a dozen or so friends of ours, homeschoolers. We reached the bit where the girl who you're still meant to think is a guy at that point is invited to sleep between the two brothers. S/he says s/he'd rather not. The oldest sister, who was four or five years older than I (and on whom I apparently had a crush--I was young enough that I remember very little) said, "Well, I wouldn't want to sleep between two boys."

To which I, thinking myself clever, responded, "Well I wouldn't want to sleep between two girls."

There was a rather mystifying complete silence.

As I grow older, I realize in more and more dimensions what I actually said.

It makes me laugh at night.

Quote of the Week

"Mercy and truth, my friends, have met together," said the General. "Righteousness and bliss shall kiss one another."

..."Man, my friends," said General Lowenhielm, "is frail and foolish. We have all of us been told that grace is to be found in the universe. But in our human foolishness and short-sightedness we imagine divine grace to be finite. For this reason we tremble..." Never till now had the General stated that he trembled; he was genuinely surprised and even shocked at hearing his own voice proclaim the fact. "We tremble before making our choice in life, and after having made it again tremble in fear of having chosen wrong. But the moment comes when our eyes are opened, and we see and realize that grace is infinite. Grace, my friends, demands nothing from us but that we shall await it with confidence and acknowledge it in gratitude. Grace, brothers, makes no condition and singles out none ofus in particular; grace takes us all to its bosom and proclaims general amnesty. See! that which we have chosen is given us, and that which we have refused is, also and at the same time, granted us. Ay, that which we have rejected is poured upon us abundantly. For mercy and truth have met together, and righteousness and bliss shall kiss one another."

-"Babette's Feast," Isak Dinesen